The original quartet comprised Frank Lauber on the alto sax, Bruno Müller on the guitar, Guido May on the drums and Christian von Kaphengst, the bandleader, on bass.
However, for this tour, Jan von Klewitz performs the sax in place of Lauber. (He is currently a member of Spiritual Standards, along with Markus Burger.)
It was a beautiful night - a small open-air amphitheatre with fantastic nightclub lighting and a full moon, on the banks of the Sabarmati River. The band opened with a relaxed piece that was stereotypically jazz - the kind I've heard on all those old Tom & Jerry shows, and which play in dimly-lit restaurants - which was a sort of an ice-breaker to familiarise us with jazz. Von Kaphengst told the audience it was the first track they had released together as a band.
The next track, called Downhill, had been composed by Bruno Müller, the guitarist. It featured spectacular sax and guitar solos. The next two tracks, Out of the Blue (also by Müller) and Speedboat, by Von Kaphengst, were also mind-blowing. These two had some spectacular drum solos by May, and Müller showed his mastery over the guitar on Speedboat. He made it sound like he was playing two different guitars at the same time!
With every performance, the audience grew more and more rapturous and the applause that had been shy and unsure at the beginning got louder and louder, with whistles and "whooooo!"s (some of them from me) accompanying it. Müller in particular turned out to be a crowd favourite, partly because of his virtuosity with the guitar and general effervescence, and partly because he was good-looking. ;)
But May and Klewitz too gave the audience a taste of their respective skills. May had the crowd screaming in delight with his dextrous drum solos; Lauber performed a particularly spectacular sax solo towards the end that contained guitarish riffs in quick succession. Simply marvellous.
Von Kaphengst was pretty much in the shadows because the bass was mostly just an accompaniment to the other instruments. But he got his due in the end when he performed a really good bass solo with accompaniment from May.
When it comes to a regular song, people who are musically inclined tend to foresee a song's ending, and automatically their concentration wanes along with the fading of the melody. But it wasn't like that with yesterday's performance. Just when I thought that the composition had come to an end and my brain could relax, one of the players would suddenly start up again! My aural cortex was running non-stop (and Müller wasn't going easy on my visual cortex either) till at a point the piece became a background score again and I had to force myself to concentrate. Hence the exhaustion.
But it was, and is, still music. And very good music at that. I look forward to an encore.
Photographs courtesy: (Jan von Klewitz) www.SpiritualStandards.com/index.html;